The age of the last mover

We are in the age of the last movers. The first episode of the Flintstones, which can be seen here, cost approximately $670,204.12 (when adjusting for inflation). It took an entire year before the studio settled on a final design. And then they started on the episodes. The Flintstones is a generated abstraction of reality, and, by today's standards, not a very good one.

Consider this music video of The Matrix cast singing "Ice Ice Baby" which I stumbled upon while reading Seth Godin's blog. This was generated using AI, probably at close to zero cost, and in a couple of days (I'm speculating here). The cover is also a generated abstraction of reality, but a near-perfect one.

I am working on a theory - which is mostly a restatement of things I've been reading about. I call this theory "The age of the last mover". The theory starts with the following statement:

Any result that can be produced by an algorithm is going to have the following three attributes in the not-so-distant future:

  • The result will be produced in approximately no time

  • The result is going to be produced virtually cost free

  • The result can be produced an infinite geographical distance from the traditional hubs of innovation

Nothing in this ☝ statement is particularly new, but I am only embracing it now. In the coming posts, I am going to explore this theme.

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What kinds of results are there?

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The necessity of embellishment